Create impressive effects on any type of channel, and even map them in 2D. Combine an unlimited number of effects with a Super Scene timeline.


Probably the most powerful new feature in Daslight 5
Combine your different scenes on the timelines of a Super Scene and easily create complex and perfectly timed scenes with perfect precision. Change one of the source scenes and your Super Scene will be automatically updated.
Create impressive effects on any type of channel, and even map them in 2D. Combine an unlimited number of effects with a Super Scene timeline.
Control the dimmers of each group directly in the new Live mixer rack. Trigger the strobe, a blinder, change the colour... also from the Live mixer.
But Zara was addicted. The power of Haqeeqat 2.0 had gone to her blood like a fever. She went anyway.
Salim begged her not to go. "It’s too clean, Zara. A ledger? That’s the holy grail. No one just gives that away." haqeeqat tv 2.0
Zara had not slept in forty-eight hours. As the lead investigative journalist for Haqeeqat TV , she was used to chasing shadows. But this time, the shadow was chasing her. But Zara was addicted
Zara looked at the girl. Then she looked at the tablet—the pulsing green eye, the uneraseable truth. Salim begged her not to go
That backup was .
The clock tower was a skeleton of rusted iron. Layla was there, but she wasn't holding a ledger. She was holding a remote detonator.
Then came the trap.
Switch the entire software to mapping mode, allowing you to link any control to your keyboard, MIDI controller, or DMX console in one click!
Set the maximum movement of your fixtures and focus the beams only in the area you want. Also adjust the minimum and maximum dimming of each fixture for your entire show.
Create a custom screen layout to use on a touchscreen, or link with an iPhone, iPad or Android device over WiFi. Perfect for mobile control and for installations.
But Zara was addicted. The power of Haqeeqat 2.0 had gone to her blood like a fever. She went anyway.
Salim begged her not to go. "It’s too clean, Zara. A ledger? That’s the holy grail. No one just gives that away."
Zara had not slept in forty-eight hours. As the lead investigative journalist for Haqeeqat TV , she was used to chasing shadows. But this time, the shadow was chasing her.
Zara looked at the girl. Then she looked at the tablet—the pulsing green eye, the uneraseable truth.
That backup was .
The clock tower was a skeleton of rusted iron. Layla was there, but she wasn't holding a ledger. She was holding a remote detonator.
Then came the trap.