Cheap Trick - In Color - Steve Albini Sessions -1998 Cd Flac- -

If you only know Cheap Trick from the glossy sheen of Live at Budokan or the radio-friendly crunch of “Surrender,” you might be shocked to your core by the session that almost wasn’t. In the midst of the late-90s alt-rock gold rush, the legendary rock pranksters stepped into the lion’s den: Steve Albini’s Electrical Audio.

By 1998, Cheap Trick was in a weird purgatory. They were beloved, but considered "classic rock." Steve Albini (Pixies, Nirvana, PJ Harvey) was the anti-producer. He hated digital reverb, hated headphones, and famously rejected "The Record Industry." If you only know Cheap Trick from the

The gem of the session. In 1977, this was sweet. In 1998, it is sleazy. Tom Petersson’s 12-string bass is so distorted it clips the preamp (Albini left it in). The FLAC version shows you the "air" between the guitar strings; it’s not clean, but it is honest . They were beloved, but considered "classic rock

But here is the truth: In Color (1977) sounds like a beautiful photograph. In Color (Albini 1998) sounds like the negative. It is visceral. It is the sound of four guys in a room who hate the fact that they have to play their own hits again. In 1998, it is sleazy

Streaming services (Spotify/Apple) use the 2008 "remaster," which brick-walled the dynamics. The Albini session is available on some platforms, but streamed at 256kbps AAC.

Do you own the original 1998 promo CD? Have you compared the vinyl pressing of this session to the FLAC? Drop your thoughts in the comments below.

The drum sound here is the definitive Albini sound. Bun E. Carlos’s kick drum doesn't thump; it punches you in the sternum. The FLAC preserves the transient perfectly. On MP3, that attack blurs. On FLAC, it’s a surgical spike.