All The Money In The World May 2026

The answer, according to the richest private citizen in history, is exactly nothing. To understand the pathology, you have to look at the patriarch. J. Paul Getty Sr. was worth, at the time, an estimated $4 billion (roughly $25 billion today adjusted). He owned vast swaths of the Middle East’s oil. He lived in a 16th-century Tudor mansion in England (Wormsley Estate) filled with priceless antiques, including the bust of Hadrian he famously purchased to stave off loneliness. He had a payphone installed in his mansion for guests because, as the lore goes, he was afraid his servants would steal his coins.

But Getty refused.

He famously said, "If I pay one penny now, I will have 14 kidnapped grandchildren." On the surface, this sounds like cold, hard business logic. Don't negotiate with terrorists. Don't set a precedent. But the film, and the history, reveals this as a rationalization for a deeper pathology. Getty wasn't protecting his family. He was protecting his money . All the Money in the World

Getty’s reaction is not horror. It is not grief. It is not even rage. It is annoyance . He looks at Chase and asks, "So, did you renegotiate the price?" The answer, according to the richest private citizen

And that is the poorest man who ever lived. Paul Getty Sr

The film asks us to look at the pile of gold and realize that the only thing you cannot buy is the one thing that matters: the ability to love someone more than you love your own security.

The brilliant choice of casting in the film—Christopher Plummer as the aged, reptilian Getty—shows a man who has lived so long inside the fortress of capital that he has forgotten that the walls contain people. He negotiates with the kidnappers like they are OPEC officials. He haggles over the tax-deductibility of the ransom. He eventually agrees to loan the family the money—not give it, loan it—at 4% interest.