A child. Standing behind her. A small girl in a white nightgown, her face indistinct, holding a patent leather shoe.
Her aunt, Lydia, had vanished from this very porch. No note. No struggle. Just a dropped watering can and a single, patent leather shoe.
Tonight, she was going to open it.
A sound broke the silence—a heavy, dragging footstep from the attic above.
To anyone passing, it was a charming Victorian folly—a turreted house with a slate roof and a bay window that caught the last of the twilight. But to Eliza Hart, it was the site of a childhood disappearance that had haunted her for twenty-two years. 6 alexandra view
But it was the framed photograph above the fireplace that drew Eliza in: Lydia, beaming, her arm around a man with a kind face and a military posture. Her great-uncle, Arthur. The one who had died six months before Lydia vanished. The one whose bedroom—a locked room at the end of the upstairs hall—Eliza had never been allowed to enter.
The mirror began to ripple, its surface turning from glass to liquid mercury. And through it, Eliza saw a narrow hallway lit by gaslight—a hallway that did not belong to 6 Alexandra View. At the end of it stood Arthur, not dead, not kind, his military posture rigid. He was holding a second patent leather shoe. A child
The lock was rusted, but a firm shoulder broke the jamb. The room was empty. No furniture, no clothes, no mementos. Just a single, incongruous object: a large, antique mirror facing the far wall. Its silver was intact, and in the dim light, Eliza saw her own reflection—and something else.